Welcome to our feature film library
Explore the collection of our original feature-length films, each highly original, told through a comedic lens. Our brand is unique, authentic, and in every instance, purposely serves up a satirical jab at the absurdities of the world we live in. Our films blend creativity, storytelling at its funnest, and endings that often surprise. Each project reflects our passion for presenting narratives with skewed points of view, a love for quirky characters, and memorable endings–each of which impart a moral message in the wake of the laughter. Whether you’re here to discover something new or revisit a favorite, we’re glad you stopped by. Stay tuned—we always have something unusual in the works!
Synopsis
After a small-town film festival where the main characters, Mitch, Maynard and Cherie win
absolutely nothing, both men wind up in jail for having stolen the Matricher Falls 3rd Annual Film
Festival’s “Grand Jury Ladle Prize” and Cherie joins up with a shady distribution company. After she
becomes an investor, the two shady distributors get her to invest everything she owns in It’s the
Gravy Unlimited Film Distribution Company Unlimited (ITGU). Soon after she forms her partnership
with Stankey and Kahn, the pair goes out of town, leaving Cherie with all their liabilities, and no
assets. After she springs Maynard out of jail, the two mobilize some town folk to help them save
the failing distribution company in an attempt to get whole. Much happens in the process: They
hook up with some entrepreneurs, who front a children’s lemonade stand, and two bogus Middle
East investors. The new team is pressured and led to commit various crimes, not the least of
which is to bootleg the town’s 78 varieties of prized gravy and ship them across state lines. Their
actions, innocent or not, lead to RICO charges. The entire group gets busted. Who gets off? Who
doesn’t? Well, in the end, everyone takes their lumps.
Synopsis
“The Third Annual Matricher Falls Internationel Film Festival” (internationel is purposely misspelled) is the story about a burned-out sketch comedy director who quits a comedy troupe only to return to the theater for another show and encounters the same problems with the cast (prequel http://www.scgomovie.com). When she quits again, she learns the theater’s disgruntled sound booth technician had been taping all the rehearsals and shows; planned to sue her for some trumped-up allegations. Soon, she and two of the main “characters” access that surveillance tape and fashion it into a “doc-amentry.” They edit it. Submit it to 41 festivals. Only one accepts it. The one in Matricher Falls. The film’s tagline: A film. A dream. A promising ride on the gravy train. Is what they get on this improbable journey worth it?
Synopsis
In what appears to be her last show, a burned-out sketch comedy writer/director shares a behind-the-scenes look at the “mounting and sustaining” of “Orange is the New Orange”; a sketch comedy show that skates on the edge of disaster. It’s a look at what could go wrong—what did go wrong. In this 90-minute mockumentary, Orange County Crazies founder, Cherie Kerr, finds herself in the middle of the most stressful production of her 40-year comedy career. The 90-minute feature starts with the first table read and takes the audience to the final curtain–the last night of the show’s run. And, through every calamity along the way. The bulk of the show centers around five beefy sketches featuring the five women who are incarcerated (in the RHOC: Real Housewives of Orange County, Prison) for crimes of “Fashion.” One for wearing white after Labor Day; Another for wearing a “Volex” on the same wrist with her “Mapple Watch” (to the boat parade); another for wearing a knock-off Murbarry bag to a theater and for buying a pair of “Ten West shoes at the Goodthrift.” Another does time for wearing a red suit during her political concession speech; and finally, one for wearing plaid with stripes. After being cast, the first group of “prisoner” cast members—those chosen to play the five “Rich Housewives of Orange County”—begin to run lines. None are very good actors. Even after three rehearsals the group never jells; they never get completely off-book; though they were instructed to. During what would be their final rehearsal that lasted 16 hours, the work-out builds in tension and culminates in an angry attack: one actor against the other. Director Kerr, who plays her own part, finally calls it a day. She instructs this contentious cast to get some rest and relaxation before returning for what is yet to be the next scheduled rehearsal. Monica, Marilyn, Bonnie, Bridget and Greta, expect to hear from Kerr, but the only one Kerr decides to notify is Greta, the actor playing the part of Mimi, the prison’s cook. Mounting rehearsals with a whole new cast of “Housewives,” Greta reports in for that group’s first rehearsal only to tell Kerr she is unable to do the show. Already behind the production’s timetable, Kerr assigns Greta’s part to one of the male actors in the show. Monica continues to call Kerr, hoping to return to OITNO cast We see onstage faux pas and backstage chaos. Six performances were scheduled—each of them the last weekend (Friday and Saturday nights) over three months. The entire run ran into nail-biting challenges one of which was the parade of tech directors, none of whom could nail the cues; some who didn’t last through rehearsals. The story ends with Kerr’s commentary in a monologue announcing that she is quitting her four-decade sketch comedy career. Really? Is she?
We’ve Got Balls

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Synopsis
We’ve Got Balls is a quirky, family-friendly comedy that offers a good many laughs as it imparts a tender and important social message. The film’s premise centers around the concept that what may mean nothing to one person may mean everything to somebody else. It keys in on the proverbial David and Goliath scenario when a filthy-rich land developer, Vivian Brechner, decides not to renew the land lease on a bowling alley in a small town, so that, together with a local avaricious tribal Indian chief, she can tear it down to make way for a gambling casino.
But what happens when the 52 people in Fountain Springs learn that Fountain Bowl — the “only thing they’ve got” — is teetering on the brink of destruction? Their community lifestyle, as they have known it, is about to come to an abrupt and tragic end.
When the townsfolk get word of it in the Fountain Spray newspaper, suddenly all hell breaks loose!! Herman Pritzloff, who inherited the bowling alley from his late father (and runs the establishment with his inept twin sons, Irwin and Simon) is faced with having to raise nearly $500,000 to exercise his first right of refusal to buy the land on which the bowling alley sits once the 25-year lease expires. While he intends to save it, he can only secure a loan for half of the needed funds.
When Brechner’s son, Alexander, is sent to face Fountain Springs’ Mayor Dawson Dinwitty, and city councilman George Pandick (who also serves as the alley’s bowling instructor), we learn that both the mayor and the city council will have to vote in favor of the demo for it to go forward. So, what happens when greed gets the better of the mayor? We see Dinwitty play both ends against the middle, outwardly supporting the town, while allowing Vivian Brechner to wine, dine and golf him to win his vote.
The situation takes a critical turn when Irwin and Simon Pritzloff soon befriend Vivian’s son, Alexander Brechner, who is sent to act as her intermediary with the “city government.” The twins get drunk with Alexander in the bowling alley’s lounge, and before the night is out, the bet is on: They entice Alexander into a deal in which they agree to bowl against him and his well-to-do Newport Beach buddies in Fountain Bowl’s annual “Over the Shoulder, Under the Arm,” tournament for a sum of $250,000. If Brechner loses he has to pony up the money which will allow the Pritzloffs to buy the land on which Fountain Bowl sits. If the twins lose…well they have nothing to lose.
It’s a two-out-of-three day contest. Anyone can win. The townspeople are all in: Craig Cramer, the lounge’s Karaoke singer (and alley maintenance man); standup comic, Chris Haig; attorney, Saul Sandowitz; notary public, Charlie Pratt; bartender, Fred Kincaid; Tinker Belle (the youngest of all who Pandick says is too small to bowl in the tourney); and also “Big Bowling Paul,” whose girth nearly spreads across an entire bowling lane.
Fate begins to move in a new direction when Tyrone, one of the demolition workers slated to destroy the bowling alley, shows up to check out the building. Inside, he catches Karaoke wanna-be Craig Cramer in the act of taking on his first rap song. A friendship is forged which changes the game on night three of the tourney when Tyrone and his pals step in on the town’s side.
And then of course there is a twist with Craig Cramer’s dog, Leonard: Was he the last to see the contract between Alexander the twins?
And let’s not forget Grandma Jean, Tink’s caregiver, who home-schools Tink and a few other local children: Her secret ‘garden’ changes the game entirely.
And to complicate matters even further there is the beautiful young gal at the front desk, Melanie. Alexander is smitten with her, but then…so is George Pandick and the Pritzloff twins.
How could the fate of something as simple and innocent as a bowling alley get so complicated? Well, it just does. The story gets messy, tense, suspenseful and, at the same time, funny. And, the finale? It won’t surprise you, it will shock you! In the end, we learn who will win, who will loose, and who’s got balls!!
Feature Films




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